Patrick Troughton (Doctor Who 2)

After drawing William Hartnell it was only a matter of time before getting around to Patrick Troughton, who played Doctor Who from 1966 to 1969.

Troughton was a hugely versatile actor, to the point where he was unrecogniseable in many of his roles. It was tough to find a picture of him which hadn't been drawn to death by fellow fans and in the end I settled for the one I did because I couldn't find an existing pencil portrait of it, and becuase of the nice bright light shining on the right of the face (his left). I left the paper almost untouched there.

The only problem with that was that the same light made Troughton's left eye appear white, and I originally drew it that way. However it looked plain wrong, so the eye is now shaded (although it still does look a bit 'off'!).

I had not drawn this 'bowl' hairstyle before and to be honest it was harder than I had been imagining. In retrospect I should have made the hair in fewer but longer pencil strokes, rather than my usual style of shorted strokes more concentrated in the darker areas. The result is not bad, but it is not quite Troughton's Dr Who hairstyle.

The best feature in this portrait is probaly the mouth. Unusually the bottom lip is actually lighter than the surrounding skin, and I left it almost completely white. The deep lines from the nose to the corner of the mouth provide some lovely contrast too.

Here is the finished portrait:

As usual, for more pictures or to commission a portrait, visit www.pencil-pictures.co.uk. 

Nude rear

A bit of a change this time. Since time immemorial, artists have been drawn to the human figure, so now it is my turn. I have drawn a few nudes from life before but none of the subjects will let me show off the pictures(!) so in the end I was forced to research pitures of nude women on the internet. It's a dirty job but someone's got to do it.

(And the truth is, drawing nudes is not as fun as it looks in Titanic. It's more a case of 'Can I move?', 'I'm cold', 'Can I have a blanket? How about on the top half whilst you are drawing my legs, then switch?', 'When can I got to the toilet', 'I have cramp', 'Hurry up and draw the thing!', etc. Hence drawing a picture from a computer is much easier. Although there is the obvious disadvantage of not being in a room with a beautiful naked woman, but you can't have everything. Anyway.)

So in the end I chose a tasteful picture of a nude model facing away from the camera and putting her feet in a ballet pose. It's a copyrighted picture so I'm not allowed to reproduce it here I'm afraid...  I chose the cheaper, smoother paper for this picture and used a soft pencil, which I smudged with my finger to get some shadow gradation.  There was a lot more hair in the picture than usual, although it was smaller on an A4 sheet. Because of this, the hair is much less detailed than usual, although I am happy with the 'sweeping' effect.

I was also happy with the back and bum. There is some great lighting in the photo, which allowed me to go really dark on the shadows, showing off the shoulder blades nicely. The hardest part was the feet, which I am still not quite happy with, although you can tell how she's standing. Anyway here she is:

For my latest pictures, visit http://pencil-pictures.co.uk

Pussy cat

Something a bit out of the ordinary this time - someone asked me to draw her cat! Having not drawn animals since I was about 5 I knew this would pose a challenge. Here's the pussy in question:

So, first things first, I drew the eyes. These are not so different from human eyes so no problem so far! Then I drew the shape of the face. The fur I made up as I went along, but eventually settled for lots of V shapes, pointing in the direction of the hair. If you do enough of these it looks like fur - trust me. Do a layer of light Vs and then dark Vs in different pencils (H and B for example) to get the 'mottled' effect, and add more dark Vs in the darker stripe areas.

The whiskers were done last. I rolled a putty rubber into a cone shape and 'drew' the white whiskers by erasing existing lines with the pointed end using sweeping hand motions and letting the paper shine through. I then continued eachwhisker beyond the cat outline using a B pencil. I'm very happy with the result and so was this moggy's owner:

For commissions visit http://www.pencil-pictures.co.uk.

Party girls, or sharpening up

Today's picture is a commission ordered by one girl as a gift to another, and the picture is of the pair of them together. Unfortunately the selection of photos I was offered were taken on a mobile phone with a low-definition camera attached, and so are blurry. Well I say 'unfortunately' but this is where the pencil can do something better than any computer - sharpen an image! Here is the photo chosen for the portrait:

I blew up the image and printed it first, then drew sharper lines around the faces and hands, then copied my own lines onto a new A4 sheet. This time I reverted to the thinner, less textured paper. I find this can be better for drawing younger faces with smoother skin!

The plait of the girl on the left took the longest to draw. It is just not clear enough in the picture, and trying to guess is usually a disaster! In the end I did a few studies or real-life plaits to try and see where the hair goes and what catches the light.

The gold flowers also posed a problem, but I settled for drawing them as-is, so in the finished work they still look fake!

Here is the final protrait:

Speed drawing video of Darth Vader

My son is a big Star Wars fan and asked me to draw him a picture of Darth Vader. We had a look through his books and found a nice picture to copy, and I took a photocopy. I thought it might be fun to film it so I suspended a camera above my head using a tripod. Looked a bit silly but there you go! I only had an hour and half's worth of tape spare so I drew it in a bit of a hurry, but the results are not bad. For most of the detail in the helmet I used the pointed end of a B pencil, with a bit of 2B for the darkest areas, and some H for the lighter areas. In the photograph Darth Vader is standing under some strip lighing so each light bulb is reflected in the helmet. I left these parts white.

The cloak was drawn with the flat side of a B pencil, with extra shading in the darker areas to give the illusion of folds in the cloth.

Here is the video:

And in case you are not impressed enough, the piano version of the Imperial March is played by me :)

Here's Darth:

And lest you forget, here's my Elvis video:

Done on the same table, before I realised how to suspend the camera!

Here's Elvis:

Happily for me I managed to sell this one, but let me know if you'd like me to draw you one!

Brave new world...

Hello. I am now on Facebook!

I think you can get to my page this way: http://www.facebook.com/#!/profile.php?id=100003499591344

Good luck:)

Little boy in a kimono

The latest picture is actually from a full-length portrait of a little boy wearing a kimono. The face was quite small in the original hard copy so I took a high-resolution scan and blew it up (enlarged not exploded). The resultant picture was still quite blurred, but there was enough detail to be going on with.

For this picture I went back to the old method of a 2B pencil on the older smooth paper. The face was done as usual, with the shading the result of the side of the pencil, and the detail done with the point. The kimono was fun too. It's actually easy to draw - simply shade with the side of the pencil in the direction of the collar, i.e. from the neck to the point in the middle of the chest. (Whatever you do, don't draw the robe as right over left - this is reserved for corpses!!) A few dark and light areas give the illusion of creases in the fabric. Experiment with this and you'll find you can create life-like images.

Not a lot else to say about this one, other than this boy has the cutest little cheeks I have ever seen!

See all the latest pictures at http://pencil-pictures.co.uk.

A new sketch pad - Alfred Hitchcock

I was in town the other day and decided to look at sketch pads. WHSmiths does a pad with really thick textured paper so I thought I would try it. I have a long mental list of people I want to draw and decided on British film director Alfred Hitchcock, he of the distinctive jowly jaw. For this first picture I went back to using a 2B pencil for the whole sketch. This worked nicely in the very dark areas under his chin, and also for the lines on his forehead.

Lines are fun to draw. Hext time you see someone with a lined forehead, especially when they are raising their eyebrows, have a look at the light. The forehead is divided into folds of skin separated by lines. The lines are very dark, but the top of each fold is light. So a lined forehead is basically light fading to dark at the line, then immediately light again for the next fold of skin. Try it - it is really effective. (In Alfred Hitchcock's case, the light source is quite low, and his face is raised, so his wrinkles go the opposite way, but I hope you get the idea!)

The textured paper shows up best when using the side of a pencil as opposed to the point, so for a textured skin tone use the flat of the pencil. I like the effect on Alfred's clothes as well.

Finally when I had finished the face, I decided that the left side was too bright and not easily defined, so I shaded the background a bit on that side. Now you can clearly see his profile:

Let me know what you think in the comments section! As usual you can see the latest pics at http://www.pencil-pictures.co.uk.

Marylin Monroe

This picture was another suggestion by a friend. Marylin Monroe is a popular subject for portraits, both photos and sketches/paintings, so inevitably mine would be compared with others, but I decided it was worth it. As usual I Googled a picture and found this nice one of MM looking down at the camera with arched eyebrows.

For this picture I used only a B pencil and a very cheap sketchpad which I picked up from a shop near my office. The paper is very thin, but it is also very smooth, which makes the pictures look quite different. The problem is that pencil lines look very much like pencil lines... Let me explain. If I draw a line with either the point or the side of a pencil lead on a textured piece of paper, the undulating nature of the paper means that the line is already quite interesting before going any further. This is not the case with smooth paper, so I 'cheated' and in the smooth areas of the faces used my finger to smudge the darker shadows into the right places. I also made the earrings far simpler - after all they don't make the face any more or less recogniseable!

Anyway, here she is. Let me know what you think in the comments setion:

http://pencil-pictures.co.uk



Audrey Hepburn

This was a suggestion by a friend of mine. The original idea was something of a competition, whereby the following morning we would each produce a portrait of someone we could agree on and see whose was better. He chose Audrey Hepburn, so I agreed, and started work on it when I got home that evening. I drew it in a bit of a hurry, so considering it only took me about an hour and a half I am pleased with the result:

Sure, the nose is a bit flat and the outlines a bit thick, but hey - you can still recognise her!

And to add to that, the guy had forgotten he was supposed to be drawing her. I won, but only by default, so it was a hollow victory!

A nice coda to this is that I was showing another friend of mine the portrait and she asked me to email it to her. I scanned it and sent it, and a few minutes later received the following back:

Needless to say, she is more artistic than yours truly...

The eye of the beholder

This entry is about a picture I drew a few months back of a girl I know in real life. Unlike the others, I actually approached her to request a photo that I could copy. Hers is a great face for a portrait, with classic big blue eyes and high cheekbones, and when she smiles her cheeks become slightly babyish, plus she has perfectly straight teeth. The icing on the proverbial cake is the nose. At the top this nose starts like it might be equine, but then tapers into a baby nose at the end. It really is a unique nose! So whilst I was delighted with the smile in the photo below, I must admit to being a bit disappointed that the face-on view does not show off the nose to full effect. (The only other downside was that the face was not in focus, though regular readers will know that with a bit of pencil trickery it is possible to sharpen it up somewhat!)

I started off as always by drawing the outline of the shape of the face, followed by the eyes, nose, mouth then hair. I used an almost perfectly smooth piece of paper, and a 2B pencil for the entire protrait to see what effect this would have. I usually alternate between H, B and 2B, but 2B sticks to the paper better than any of the others. On the parts of the face that did not require detail (mainly the cheeks and chin) I 'cheated' and used a finger to smudge the graphite into the right places to create the shadows. 2B works especially well for this trick. This photo was taken using a flash, so the shadows are few and far between, mainly on the extreme edges of the face and under the hair line.

Long hair is always fun to draw, and a tip I would offer is to make it far more shiny than it actually is. To me, hair looks far more effective when it has a highlighted area, as I did with the fringe in this case. The white of the paper 'shining' through gives the illusion of extra brightness and contrast.

The nose was actually quite easy, and the subject herself actually complimented me on getting the nose 'perfect'! The mouth however was much harder. In the photo the combination of the flash and the blur makes it difficult to see exactly where the lips are, so I made my best guess. I drew the mouth once, then rubbed it out completely and drew it again. It is still not perfect but it is better:

As always visit http://pencil-pictures.co.uk for the latest drawings. Feel free to leave comments!

Another unfinished work

Regular readers of the blog will have realised that most of my pictures are 'unfinished' and there is always something I plan to go back and add. Well this latest is no exception, and is in fact the most unfinished (can I say that?) of them all so far! When I mentioned to an old friend of mine that I was starting an art website he offered me a picture to draw of himself driving a boat on a lake. It was a good picture, although it was small and consequently the resolution was not great. However if there is one advantage of drawing rather than photography it is that using a pencil one can increase the resolution of a picture!

I started off intending to draw only the face but just did not have enough detail for a full facial portrait, so I abandoned that and 'zoomed out' to include the arm on the steering wheel of the boat. I drew the face first, and the lack of detail made me realise it is actually really hard to visualise a face, even that of someone very familiar. I made the face look as good as I could then drew the arm on the steering wheel:

I showed him the picture at this stage and he was happy with it in this state, so I abandoned it there and then! (No sense risking disappointment with more work...) Hence it remains a pencil picture of a head, arm and steering wheel.

As always to see the latest pictures visit http://pencil-pictures.co.uk.

William Hartnell

When I am not drawing commissioned works for http://pencil-pictures.co.uk, I draw people whose faces I like. I am a fan of the TV series 'Doctor Who', and it seems that an interesting face is a requirement for the job of the lead actor, because certainly Tom Baker, Jon Pertwee, Colin Baker and Patrick Troughton have very strong and distinctive features, not to mention the new boy Matt Smith, with his deep-set eyes and unmistakeable chin. However, I feel that the chiseled and well-worn but charming features of the late great William Hartnell lend themselves to a pencil portrait better than any of the others, so it was he who I chose to draw next.

I went through all of the pictures I could find of the great man, and discounted all in which he was not wearing his famous Doctor Who wig (yes it really was a wig!), and settled on a picture taken on the set of the very first episode of Doctor Who ('An Unearthly Child') taken back in 1963. The photograph shows off his mischievous eyes and severe nose to great effect, giving him the air of a professor who is not averse to going off the beaten track. In fact just looking at this picture alone it is easy to see why Hartnell was chosen for the part... but I digress.

I started as usual with the eyes. Hartnell's eyes were quite a light colour, so in addition to the usual shades caused by light and shadows, I had fin with the darkness of the pupils, the lightness of the iris, and the glint of light in the corner of the iris, which is the plain white of the paper shining through.

The symmetrical nose actually posed a problem. Noses are much easier to draw from the side. Face-on relies so heavily on getting the shading just right... but since the light sorce looks to be top-left, the heavy shading under the nose makes this part stand out the most, making the shading of the sides slightly less consequential to the overall portrait.

In this picture the Doctor is giving a familiar grim smile, so no lips are visible. I was a bit worried that this would look unnatural in the finished portrait, but as usual, all I had to do was draw exactly what I saw and it turned out okay! (I always think this during a portrait - should I try and be creative or draw what I see? In every case, drawing what I see is the best option! Some artists have great imaginations, but not this one...)

I am very pleased with the face in this picture. The only parts not quite up to scratch are the hat and scarf. One of these days I might go back and revise it... but probably not.

Next stop, Patrick Troughton. Watch this space...

Getting Started

Welcome back and happy new year!

When I first started the pencil-pictures.co.uk business  I asked friends, family and business colleagues permission to draw them so I could put them on the site to hopefully entice new customers to commission pictures from me. One of the first of these was a colleague of mine who gave me this picture:

Of course I was very grateful, but to be honest I was a bit disappointed that his hair was totally different from usual (or 'dorky' as he himself described it to me) and he had a bit of a beard going on in the picture, which he does not usually have. In short the picture does not really look like him. (In real life he looks more like Parkman from the TV series 'Heroes'.)
However the guy was doing me a favour and beggars can't be choosers so I set to work.

I'm not ashamed to admit that I regularly use a ruler when drawing faces. In this case I drew the outline of the face and measured it, erased and re-drew for a while, before starting on the details. I actually measured the face INCLUDING the beard, but was a bit reluctant to draw said beard since I was hoping other colleagues would recognise the subject and want their portraits done too!

Anyway I persevered with the face, without the beard and in the end it looked good, but not like the guy it was supposed to be! Even without the haircut the chin was way too big. Here is what it looked like:

Since it made him look like James Dean he was happy with it so I decided to leave it as it was.

For the latest pictures visit http://pencil-pictures.co.uk. Enjoy!